Flow Machines on the New York Times
A compelling song is actually a rare and fragile object. It can only work if all the dimensions are right: the melody, the harmony, the voice, the dress of the singer, the discourse around it — like, ‘Why did you write this song?
Alex Marshall, New York Times
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Flow Machines on “Hello World”Flow-Machines technology has been used to compose an album “Hello World” Read More
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Flow Machines on ARTE : #TRACKS20ANS Spécial “rétro-futur” (starting from 31:55) -
Flow Machines on Playboy!Will Artificial Intelligence Elevate Pop Music or Pervert It? (The Answer is Yes) … I feel I’m…
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Stéreolux: Création et Intelligence ArtificielleDes tests ont prouvé les capacités incroyables de Flow Machines. Des improvisations intégrant le sty…
© 1993-2025 Sony Computer Science Laboratories, Inc., Tokyo, Japan
“FLOW MACHINES”、”フローマシーンズ”は、ソニー株式会社の商標です。
“FLOW MACHINES”、”フローマシーンズ”は、ソニーコンピュータサイエンス研究所が開発した技術です。
The research leading to these results has received funding from the European Research Council under the European Union’s Seventy Framework Programme (EP7/2007-2013 Grant Agreement no. 291156)
The research leading to these results has been conducted by Sony Computer Science Laboratories Paris (Sony CSL Paris) and Pierre and Marie Curie University (UPMC)